As I learnt early on, a production unit has certain unwritten codes such as an established system of address. Everyone calls everyone else 'xyz-ji'. This old-world form of 'respectful' address has found much favour in the film industry. It actually helps maintain a certain amount of professional distance and creates an atmosphere where the very politeness of the form of address disallows (to some extent) ugly exchanges. Representatives of departments like make-up and dress are called Make-up dada and Dress dada respectively. The guys in charge of properties (art direction) are clubbed together as Setting dada. (Debashree Mukherjee, 'Making Of Johny Johny, Yes Papa', Sarai)
A Facebook post by our old pal Slavomír Čéplö/bulbul pointed me to Ahmad
Al-Jallad’s All lines lead to Proto-Arabic: a review article on Jonathan
Owens, Ar...
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