As I learnt early on, a production unit has certain unwritten codes such as an established system of address. Everyone calls everyone else 'xyz-ji'. This old-world form of 'respectful' address has found much favour in the film industry. It actually helps maintain a certain amount of professional distance and creates an atmosphere where the very politeness of the form of address disallows (to some extent) ugly exchanges. Representatives of departments like make-up and dress are called Make-up dada and Dress dada respectively. The guys in charge of properties (art direction) are clubbed together as Setting dada. (Debashree Mukherjee, 'Making Of Johny Johny, Yes Papa', Sarai)
Anatoly Vorobey posts (in Russian) about another of those odd figures on
the margin of literature that so fascinate me; here’s the start of his post
(my tr...
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